Nainsukh (1710–1778), succeeded by two generations of his family workshop, introduced a distinctive style that combined Mughal elements with personal innovations.
Parkash Chand (ruled 1773-1790), the successor of Govardhan Chand, also continued the patronage of the artists. The paintings in early Guler style were by the artist Pandit Seu and his two sons.
Kangra School of Painting came into existence after the gradual decline of the Basohli art style in the middle of the 18th century.
Prakash Chand, successor of Govardhan Chand, shared his father's passion for art and had sons of Manaku and Nainsukh, Khushala, Fattu and Gaudhu as artists in his court. Painting in the Kangra region blossomed under the patronage of a remarkable ruler, Raja Sansar Chand (1775–1823).
Answer: Kangra painting is the pictorial art of Kangra, named after Kangra, Himachal Pradesh, a former princely state, which patronized the art. ... It is in the development and modification of Pahari paintings, that the Kangra School features. Under the patronage of Maharaja Sansar Chand.
Answer. Explanation: Pahari paintings, as the name suggests, were paintings executed in the hilly regions of India, in the sub-Himalayan state of Himachal Pradesh. It is in the development and modification of Pahari paintings, that the Kangra School features.
GI for Kangra paintings was given in 2015.
The earliest Pahari School of miniature painting is Basholi. Basholi had produced some marvelous portraits and Rasamanjari series. Pahari art produced in Kangra under Raja Sansar Chand is identified with a new level of rhythmical exaltation.
Pahari painting is the name given to Rajput paintings, made in Himachal Pradesh and Jammu & Kashmir states of India. These paintings developed and flourished during the period of 17th to 19th century. Indian Pahari paintings have been done mostly in miniature forms.
The Bijapur School of Painting was patronized by Ali Adil Shah I and his successor Ibrahim II. Notable work is Najum-al-ulum (Stars of Sciences). The painting exhibit a rich colour scheme, animals, palm trees, men, and women belong to the Deccan tradition. The paintings showcase a generous use of gold colour.
Raja Ravi Verma
He was also known as "Raphael of the East" fondly due to his brilliant brush strokes and life like images.
The period 1786-1805 was the Golden age of Kangra. Maharaja Sansar Chandra established law and order in his vast empire, at its peak it his empire stretched from Lahaul-Spiti to the plains of Hoshiarpur [18000 sq.
Tutinama, literal meaning "Tales of a Parrot", is a 14th-century series of 52 stories in Persian. The work remains well-known largely because of a number of lavishly illustrated manuscripts, especially a version containing 250 miniature paintings was commissioned by the Mughal Emperor, Akbar in the 1550s.
Chamba Miniature Paintings
Chamba is outstanding in its technique of artistically mixing colours and amplifying their visual impact. The paintings endow exceptionally delicate colouring, fine draughtsmanship, an unusual refinement of lines and a sensitive treatment of landscape.
The authorship of the text of the Tutinama is credited to Ziya'al-Din Nakhshabi or just Nakhshabi, an ethnic Persian physician and a Sufi saint who had migrated to Badayun, Uttar Pradesh in India in the 14th century, who wrote in the Persian language.
The correct answer is Sayyed Ali and Abd-al-Samad. The chief painters of the Hamza-Nama were Mir Sayyid 'Ali of Tabriz and 'Abd al-Samad of Shiraz. They were leading Iranian painters and rank holders in Akbar's court. Hence, option 3 is correct.
Two Persian artists named Mir Sayyid Ali and Abdus Samad were the head of the project Tutinama. Emperor Akbar had entrusted them with the project to depict the Indian environment.
If so, maybe you would like to hear about a famous wildlife artist named John James Audubon (1785-1851). He is remembered for his wonderful collection of 435 life-size paintings of American birds. In fact, he is considered to be one of the greatest wildlife artists ever born.
Manṣūr, also called Ustād (“Master”) Manṣūr, (flourished 17th century, India), a leading member of the 17th-century Jahāngīr studio of Mughal painters, famed for his animal and bird studies.
The miniature painting style, which flourished initially in the Bahmani court and later in the courts of Ahmadnagar, Bijapur and Golkonda, is popularly known as the Deccan school of Painting.
Akbar is acknowledged as the father of Mughal Art. Because his two predecessor rulers—Babar and Humayun—remained busy in stabilizing the empire.
Development of Mughal School of Paintings under Akbar
The reign of Akbar is known for the initial works of Mughal School done by Mir Sayyed Ali and Abdus Samad Khan. These two artists were originally employed by Humayun.
The Mughal miniature painting inspired and resonated in subsequent schools and styles of Indian painting, thereby, confirming a definite position for the Mughal style within the Indian school of paintings. The Mughals were patrons of various art forms.