Modern Art is a container concept referring to art during Modernism marked by idealism and an almost dogmatic belief in reason and progress. Whereas Postmodern Art is a container concept for art during Postmodernism marked by an epistemological doubt challenging the notion of universal truth(s).
Modernism held logic and reason as central values for seeking universal truth. In reaction to the idea that art should highlight an objective truth, postmodern art focuses on the artist's unique perspective and subjective reality.
“Modern” and “post-modern” were terms that were developed in the 20th century. “Modern” is the term that describes the period from the 1890s to 1945, and “post-modern” refers to the period after the Second World War, mainly after 1968.
Modern art is that which was created sometime between the 1860s (some say the 1880s) and the late 1960s (some say only through the 1950s). Art made thereafter (e.g., conceptual, minimalist, postmodern, feminist) is considered contemporary.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Its main characteristics include anti-authoritarianism, or refusal to recognize the authority of any single style or definition of what art should be; and the collapsing of the distinction between high culture and mass or popular culture, and between art and everyday life.
Postmodernism is an intellectual stance or mode of discourse defined by an attitude of skepticism toward what it considers as the grand narratives of modernism, as well as opposition to epistemic certainty and the stability of meaning. Claims to objective fact are dismissed as naive realism.
Modern art and postmodern art have a great deal in common: both epochs cannot be reduced to a single art form or style, nor can they be reduced to one theory. Rather, the two eras are famous for having produced different styles and ideas about art.
Rather, many art forms are considered postmodern art. These include Pop Art, Conceptual Art, Neo-Expressionism, Feminist Art, or the art of the Young British Artists around 1990.
This work can be conceived of as postmodern in many senses: its overt reference to popular culture (and low art) challenges the purity of the modernist aesthetic, its repetitive element is an homage to mass production, and its ironic play on the concept of authenticity undermines the authority of the artist.
Postmodernism is an eclectic, colourful style of architecture and the decorative arts that appeared from the late 1970s and continues in some form today. It emerged as a reaction to Modernism and the Modern Movement and the dogmas associated with it.
A general and wide-ranging term which is applied to literature, art, philosophy, architecture, fiction, and cultural and literary criticism, among others. Postmodernism is largely a reaction to the assumed certainty of scientific, or objective, efforts to explain reality.
Postmodernism is hard to define, because it is a concept that appears in a wide variety of disciplines or areas of study, including art, architecture, music, film, literature, sociology, communications, fashion, and technology.
Post-modernism and Modernism
Modernist artists experimented with form, technique and processes rather than focusing on subjects, believing they could find a way of purely reflecting the modern world. While modernism was based on idealism and reason, postmodernism was born of scepticism and a suspicion of reason.
Since the late 1990s there has been a small but growing feeling both in popular culture and in academia that postmodernism "has gone out of fashion." However, there have been few formal attempts to define and name the era succeeding postmodernism, and none of the proposed designations has yet become part of mainstream ...
Postmodernism affects views and lifestyles, which in turn affects the young adult's performance of roles and his interactions within all his different social systems. A strong attachment to family and home, as well as the importance of roles as sons/daughters were found.
Indeed in the previous decades before us, postmodernism was in vogue in the academic settings of our country and in the Western world. It's not necessarily that way today. You still find it in literary departments. You still find it, unfortunately, sometimes in theology departments.
Postmodernism had flaws from the beginning (as do all aesthetic theories.) For one thing, conceptions of “high and low” culture (and music) are not very descriptive. They are vague, create confusion, and provoke unnecessary ideological tension.