The play comes to its spine-tingling conclusion when the ladies hide the bird from the male authorities, denying them the evidence of motive they need to convict Mrs. Wright.
Written in the early 1900s, “Trifles” deals with the rights of, expectations for and assumptions about women in society at the time. In an ironic twist, the audience knows that the women have solved the murder mystery while the men remain oblivious of the truth because of their assumptions.
Glaspell's Trifles, for instance, ends with the women coming to a (shared) decision about whether to tell the men what they have discovered.
Summary Of Susan Glaspell's Play Trifles
Most readers would agree that Mrs. Wright murdered her husband just because he murdered her bird.
The turning point, or climax, of a play occurs at the high dramatic point of the story, when the conflict begins to be resolved. In Susan Glaspell's play "Trifles," the climax occurs when Mrs. Peters and Mrs. Hale decide to hide a dead bird from authorities investigating a murder case.
But the women's concern with the little things, the so-called "trifles," is what leads to the truth in the murder case. The conflict climaxes when the women question whether to tell the men about the key evidence they found, a strangled canary, and they decide to lie.
What is the falling action in Trifles? -Ties up the loose ends of the plot. -Play on the words "knot it", where Minnie is "not it".
Though it is made very clear in the opening scene of this play that Mrs. Wright is in fact guilty of the murder of her husband, the theme of this play is not solely based on the idea of feminism and social hierarchies. It is upon the continuation of reading this play that the true and deeper symbolism is revealed.
Perhaps the single most important theme in Trifles is the difference between men and women. The two sexes are distinguished by the roles they play in society, their physicality, their methods of communication and—vital to the plot of the play—their powers of observation.
The bird also symbolizes Minnie's need for companionship in her childless home, and the death of the bird showed that John not only didn't acknowledge this need but actually removed her remaining source of happiness in a cruel and brutal way.
Minnie claimed that she didn't wake up when her husband was strangled in their bed. Mrs. Wright (Minnie) has been arrested for the crime and is being held until her trial. The men do not look closely around the kitchen for evidence of a motive, but discover Minnie's frozen and broken canning jars of fruits.
The play is loosely based on the murder of John Hossack, which Glaspell reported on while working as a journalist for the Des Moines Daily News. On December 2, 1900, Hossack's wife, Margaret, reported to the police that an unknown person broke into their house and murdered John with an axe while she slept next to him.
Peters realize from the clues they find that Mrs. Wright (Minnie Foster) has killed her husband but that she was justified in doing so. They conceal the evidence to prevent Mrs. Wright's possible conviction.
The title of the play is oozing with irony. The title comes from this gem of a line from Hale: "Well, women are used to worrying about trifles" (132). He says this in response to the fact that Mrs. Wright seems to be more worried about her preserves bursting than she is about the fact that she's being held for murder.
Hand tying a quilt consists of stitching a tough, heavy yarn or thread through the quilt's three layers and tying a knot to to secure the layers together permanently. Knots are placed at regular intervals all over the quilt. The knots hold the layers in place so they don't shift as the quilt is used or washed.
Dramatic irony illustrates the impact of misconceptions, adding depth to a story. One effective use of dramatic irony occurs in Susan Glaspell's play "Trifles" when the two female characters discover a dead bird, a clue to a murder that remains unknown to other key characters in the play.
Mrs. Hale and Mrs. Peters decide to bring the quilt to Minnie in jail, another one of the trifles that the men believe only concern women. The quilt and Minnie's decision to finish it in one of two styles—quilting or knotting—is developed as a metaphor for her innocence or her guilt.
Mrs. Peters wonders that it is a "funny thing to want, for there isn't much to get you dirty in jail." Some critics found that the apron also stands for Minnie's imprisonment. According to Alkalay-Gut, the apron is not essential for Minnie in prison.
Minnie Wright is the main character. The play is about her life, her struggle, and her crime. In this play, the antagonist could either be Mr. Wright or the men in the play.
What happened to Mrs. Wright's bird? Mr. Wright killed it.
Hale discover the dead canary in Mrs. Wright's sewing basket, they realize that her murder of her husband did not result solely from her unhappiness in her marriage but from an enforced return to solitude by the killing of her pet bird.
In "Jury", why does Mrs. Hale find it difficult to cross over Mrs. Wright's threshold? She has never visited before, although she feels she really should have.
The suspense in the story is the most important element that is never ignored. Glaspell portrays this at the end of the play without telling what happens.
Devised by 19th century German playwright Gustav Freytag, Freytag's Pyramid is a paradigm of dramatic structure outlining the seven key steps in successful storytelling: exposition, inciting incident, rising action, climax, falling action, resolution, and denouement.
Gender conflict in Susan Glaspell's play trifles present the leading dilemma for the insurance of female alliances against male dominance. Which sets off rigid attitudes within the scene of the crime, leading to the corruption of Evidence, and the flawed investigation to solving Mrs. Wright crimes.