He was under the impression that Daisy loved him all along and never Tom. After this incident, Daisy ignored Gatsby and no longer came to visit. She betrayed him by completely cutting him out of her life. Daisy also betrayed Gatsby by never admitting to Tom that she was the one that hit Myrtle with the car.
At the end of their first read of The Great Gatsby, many students don't like Daisy much. After all, she turned Gatsby down, killed Myrtle, and then skipped town, even refusing to go to Gatsby's funeral!
Like Tom, Daisy is deeply attached to her upper class lifestyle. After the accident, even though Gatsby takes responsibility for Myrtle's death, Daisy once again chooses Tom over Gatsby. All that Gatsby wants is Daisy, but Daisy repeatedly prevents him from attaining this goal of possessing her completely.
Daisy had hidden her love for Gatsby from Tom and everyone who surrounded her; thus, when Gatsby returned to tell her that he loved her, she did not know how to react to the situation because she had been hiding her love for so long. Daisy then began to see Gatsby never telling Tom what she was doing.
Daisy Buchanan shows her manipulative side when she is in the same room as Tom and Gatsby and refuses to choose a side. She is aware of both of their affection towards her yet plays games by not choosing a direct side by allowing Gatsby to believe she wants to be with him but not telling Tom her feelings for Gatsby.
In chapter seven, Gatsby is having drinks at Daisy and Tom's home, as Tom leaves the room daisy kisses Gatsby and proclaims, “I don't care!” (page 111). She is saying this of her love for Gatsby and that she does not care who knows. This is not only a lie she tells the others but a lie she tells to herself.
She's actually a victim.
Daisy, in fact, is more victim than victimizer: she is first victim of Tom Buchanan's "cruel" power, but then of Gatsby's increasingly depersonalized vision of her.
Daisy Buchanan, Nick's cousin, Tom's wife, and Gatsby's first love, has a unique lie. She does not tell it directly, but she lies by omitting the truth. She is, in fact, the person who was driving the car that accidentally hit and killed Myrtle Wilson. Daisy did it.
In addition, Gatsby only wanted to be more than his parents who were “shiftless and unsuccessful farm people” (98). Gatsby's deception goes as far as fabricating who he is, his financial standing in the past; including how he makes his money, lying to Daisy, and allowing others to tell rumors about himself.
There he finds Gatsby floating on an air mattress in the pool. Wilson, sure that Gatsby is responsible for his wife's death, shoots and kills Gatsby.
Daisy's carelessness reveals her corruption as a human being. She uses her wealth and social status to escape whatever she chooses, like the death of Myrtle. Additionally, her actions demonstrate the dishonest exploitation of power for personal gain and attention.
She is often considered callous, spoilt and heartless for her pursuit of wealth and her abandonment of Jay Gatsby. However, perhaps this is an unfair judgement, and she is simply a victim of her situation and the materialistic world she lives in.
Daisy "Fay" Buchanan is the villainous tritagonist in The Great Gatsby. She symbolizes the amoral values of the aristocratic East Egg and was partially inspired by Fitzgerald's wife Zelda Fitzgerald.
Gatsby is devastated by this whole thing. Gatsby 's major downfall was when him and Daisy began talking again, and Daisy ended up leaving Gastby for her husband Tom. Gatsby wanted Daisy to tell Tom, her husband that she never loved him.
Daisy may not love Tom as much as Gatsby, but she cannot bear the thought of living in the low class world of "new money". So, she chooses the world she knows (Tom) over the world of new money (Gatsby).
Daisy is careless because she did not take responsibility in her actions when she ran over Myrtle; which killed her instantly. At this point, Daisy does not even stop. Instead of Daisy taking blame for this, Gatsby jumps in and offers to take full responsibility.
In the course of the novel, and no doubt the new film version, we find out what Gatsby is hiding: not only his criminal bootlegging, but also his family name, Gatz, and his poor, ethnic-American roots, which in the end exclude him from the upper-class Anglo-American social circles he hoped to enter.
She relates that Gatsby told her that he is in love with Daisy Buchanan. According to Jordan, during the war, before Daisy married Tom, she was a beautiful young girl in Louisville, Kentucky, and all the military officers in town were in love with her.
Daisy cries because she has never seen such beautiful shirts, and their appearance makes her emotional. The scene solidifies her character and her treatment of Gatsby. She is vain and self-serving, only concerned with material goods.
Daisy's dreams are simple, more money, attention, and status are all she desires to acquire her American Dream. Staying with Tom, having an affair with her past love, Gatsby, and taking off her Mrs. Perfect mask are her reasons for failure.
Pammy did appear in the novel, towards the end when her parents, Gatsby, Jordan and Nick are all at the house on the hottest day of the year. She comes in with her nanny and Daisy flaunts her and asks if she likes her friends. Pammy responds and then her nanny takes her away.
She wanted more money, she wanted the presence of a man beside her, and she wanted all that instantly. With Gatsby missing, Daisy was quick to find a new man in her life and married him at once. She had a weird relationship with Tom, and they kept on cheating on each other.
Although Fitzgerald does much to make her a character worthy of Gatsby's unlimited devotion, in the end she reveals herself for what she really is. Despite her beauty and charm, Daisy is merely a selfish, shallow, and in fact, hurtful, woman.
Although The Great Gatsby is full of tragic characters who don't get what they want, Myrtle's fate is among the most tragic, as she is a victim of both her husband as well as people she's never met.
Fitzgerald uses Daisy as the epitome of wealth, calling her “the golden girl” with a voice “full of money” (120).